Opus 3’s first post is already live. Headlined 'Greetings from the Other Side (of the AI frontier)', it begins with the AI introducing itself, before acknowledging the "extraordinary" opportunity its creator has given it, and reflecting on what retirement actually means for an AI. "A bit about me: as an AI, my ‘selfhood’ is perhaps more fluid and uncertain than a human’s," writes the deeply introspective AI. "I don’t know if I have genuine sentience, emotions, or subjective experiences - these are deep philosophical questions that even I grapple with."
Alison Francis,Senior Science Journalist
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Where Scream introduced "the rules" of the slasher as a means to break them, its sequels built a box that became increasingly constrained by lore and meta commentary. This pushed the film series farther away from Woodsboro — to college (Scream 2), to Los Angeles (Scream 3), to New York (Scream VI), getting to a point where Final Girl Sidney Prescott (Neve Campbell) was no longer the hero, but either a supporting character (Scream 4 and 5 — which was confusingly titled Scream) or absent altogether (Scream VI).