Thomas Clements’ eyes begin dancing as he recalls in vivid detail his first trip to Highbury. It was 1995 and Ian Wright was among the scorers as QPR were defeated. Clements – named after Michael Thomas, scorer of Arsenal’s decisive second goal against Liverpool in their 1989 title decider – points to his dad, Kevin, standing a metre away. “I was sat on his shoulders in the North Bank,” he says.
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如果把这部电影看作香港城市记忆的一次回收,它的意义会更清楚。《夜王》不试图为夜总会立碑,也没有把它洗白成温情乡愁。它只是承认:香港确实有过这样的夜晚,有过这样的空间,有过一套依赖灰度与情义运作的社会机制,而当那套机制被替换,人需要面对的不只是行业的消失,还有自我认同的漂移。曾经熟悉的城市,在某一天会变得陌生。曾经相信的规则,在某一天会突然失效。
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